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Meta-tags: Errata
Last modified: 2025, April 08.
Known misbehaving tags/tags values
Tag
Status
Notes
[accent: ...]
❌ High hallucination risk
Unpredictable. Will often produce gibberish lyrics. Avoid.
[autotune: ...]
⚠️ Unstable
Can trigger vocal glitches or ghost vocals; not recommended.
[bpm: ...]
❌ Deprecated
Explicit BPM values (e.g., [bpm: 120]) are ignored. Use [tempo: slow/fast/moderate/variable] instead.
[emotion: ...]
❌ Ignored
Appears valid, but ignored; use [mood:] or [vocal-style:] instead.
[key: ...]
❌ Broken
Although musically logical, does not affect harmonic key. Use [modulation: ...] if available.
[language: ...]
❌ Dangerous
Causes hallucinated pseudo-languages or gibberish. Use [vocal-language:] experimentally and carefully.
[loop: ...]
⚠️ Risky
Might work in intro/outro for ambient, but often misinterpreted.
[master: ...]
❌ Ignored
"Mastering" tags like [master: soft/bright] do not apply.
[melody: ...]
❌ Invalid
Melody directives are not directly controllable via this tag.
[mix: clean/dirty]
❌ Misfires
Mix preferences often misunderstood; prefer [compression:] or [filter:] tags.
[panning: ...]
❌ Broken alias
Use [pan: ...] instead — panning is not a valid tag.
[persona: ...]
❌ Mode conflict
Should not be placed in lyrics. Persona is a generation mode, not a tag.
[sing-style: ...]
❌ Deprecated
Early alpha tag. Replaced by [vocal-style:].
[style: none]
❌ Invalid
"none" is not interpreted as a meaningful style. Will confuse output.
[section: ...]
❌ Redundant
Rejected or misread; use [intro: ...], [verse: ...] etc.
[song-type: ...]
❌ Ignored
Used in early Suno alpha; currently has no effect.
[theme: ...]
❌ Conflicting
Rejected by parser; use named theme, i.e. [theme A: ...] or [theme B: ...].
[volume: ...]
❌ Ignored
No effect; prefer [gain:] or [intensity:].
Tips on using meta-tags
Use only known or confirmed tags.
Avoid alias or ambiguous tags like bpm, key, language.
Test in Standalone mode first — many tags that break in Extend or Cover work fine solo.
If in doubt, use "[style: experimental]" or "[control: hallucinatory]" to encourage flexible output instead of forcing
Meta-tags definitions
Below is the list of meta-tags recognized by Suno audio tracks generation service (as confirmed by user tests and official Suno documentation).
[accelerando]
Meaning: Specifies a gradual increase in tempo, creating a sense of urgency, excitement, or transition.
Placement: Typically used within [tempo], [structure], or [rhythm].
Accepted Parameters:
gradual — Slow, steady increase in speed.
sudden — Sharp, quick tempo increase.
layered — Different instruments accelerating at different rates.
intensified — Accompanied by increased dynamics or harmonic tension.
syncopated — Rhythmic acceleration with offbeat emphasis.
Sample Usage:
[accelerando: Gradual tempo increase leading into the climax.]
Genre-Based Usage:
Classical & Orchestral: Used in symphonic works and fugues for momentum.
Jazz & Latin: Accelerando builds swing and groove over a solo section.
Rock & Metal: Driving guitar riffs increase tempo for intensity.
EDM & Trance: Used in buildups before a drop.
Track Structure Recommendation
[intro: Steady tempo with calm instrumentation]
[verse: Gradual accelerando with layering synths]
[chorus: Full-speed section with high energy]
[bridge: Slowdown before another accelerando]
[outro: Return to a slower tempo]
[ad-lib]
Meaning: Specifies a freely improvised vocal or instrumental phrase, often used in solos or embellishments.
Placement: Typically used within [vocals] or [structure].
Accepted Parameters:
vocal — Spontaneous, expressive singing.
instrumental — Improvised instrumental fills.
rhythmic — Ad-libbed drum patterns.
melodic — Improvised melody variations.
harmonic — Free chordal movement.
Sample Usage:
[ad-lib: Vocal runs in the final chorus for emotional impact.]
Genre-Based Usage:
Jazz & Blues: Essential for improvised solos.
Hip-Hop & R&B: Vocal ad-libs enhance expressiveness.
Rock & Metal: Guitar ad-libs add raw energy.
Latin & Afrobeat: Percussion ad-libs for dance groove.
Track Structure Recommendation
[intro: Sparse vocals with ad-lib whispers]
[verse: Structured melody with ad-libbed embellishments]
[chorus: Powerful vocal ad-libs on key lines]
[bridge: Improvised guitar or sax solo]
[outro: Soft, fading ad-lib phrases]
[ambient]
Meaning: Defines a track as atmospheric, textural, and non-rhythmic, often using drones, pads, or environmental sounds.
Placement: Typically used within [style], [mixing], or [structure].
Accepted Parameters:
textural — Emphasizes layered sound textures.
minimal — Sparse and open sound design.
dark — Mysterious, eerie ambient tones.
bright — Ethereal, uplifting ambiance.
dissonant — Subtle or strong unresolved tension.
Sample Usage:
[ambient: Dark, textural drones fading in and out.]
Genre-Based Usage:
Cinematic & Soundtrack: Enhances scene-setting and emotion.
Electronic & Drone: Builds slow-moving soundscapes.
Experimental & Avant-Garde: Creates abstract sonic experiences.
Lo-Fi & Chill: Soft ambient pads provide a relaxing background.
Track Structure Recommendation
[intro: Faint, layered ambient textures]
[verse: Soft ambient swells and deep bass pads]
[chorus: Expanding textures with shimmering synths]
[bridge: Minimalist moment with evolving drones]
[outro: Fading ambient echoes]
[arpeggio]
Meaning: Defines a broken chord sequence, where notes are played individually instead of simultaneously.
Placement: Typically used within [harmony] or [rhythm].
Accepted Parameters:
rising — Arpeggio pattern ascends.
falling — Arpeggio pattern descends.
circular — Continuously repeating patterns.
syncopated — Offbeat rhythmic arpeggios.
randomized — Variations in note sequence.
Sample Usage:
[arpeggio: Syncopated synth arpeggios driving the groove.]
Genre-Based Usage:
Classical & Baroque: Harpsichord and piano arpeggios provide intricate motion.
Rock & Progressive: Guitar arpeggios enhance melody flow.
Electronic & Synthwave: Rapid, repeating synth arpeggios create movement.
Jazz & Blues: Improvised arpeggios add harmonic fluidity.
Track Structure Recommendation
[intro: Soft, rising piano arpeggios]
[verse: Low arpeggios supporting the melody]
[chorus: Faster, syncopated arpeggio patterns]
[bridge: Swirling synth arpeggios layered over bass]
[outro: Descending, fading arpeggios]
[arrangement]
Meaning: Defines the organization of musical elements, including instrumentation, section order, and layering.
Placement: Typically used within [structure], [orchestration], or [mixing].
Accepted Parameters:
dense — Full, layered orchestration.
minimal — Sparse, delicate textures.
layered — Different instrumental layers building over time.
dynamic — Varying section energy throughout.
orchestral — Classical-style arrangement.
Sample Usage:
[arrangement: Layered instrumentation building towards climax.]
Genre-Based Usage:
Classical & Symphonic: Dense orchestral arrangements for cinematic pieces.
Jazz & Big Band: Dynamic arrangements with brass and woodwinds.
Electronic & Pop: Layered synth arrangements create depth.
Minimalist & Experimental: Sparse arrangements leave room for textures.
Track Structure Recommendation
[intro: Minimal arrangement with only a piano and soft pads]
[verse: Gradually introducing more instruments]
[chorus: Full, layered arrangement with harmonies]
[bridge: Stripped-down section before a build-up]
[outro: Gradual removal of instruments for a soft fade-out]
[articulation]
Meaning: Specifies how notes are played in terms of attack, transition, and connection between them.
Placement: Typically placed within [instruments] or [style].
Accepted Parameters:
staccato — Short, detached notes.
legato — Smooth, connected notes.
marcato — Strongly accented notes.
tenuto — Notes played at full duration.
accented — Notes emphasized with additional force.
spiccato — Lightly bouncing bow strokes (for strings).
sustained — Notes held for extended durations.
Sample Usage:
[articulation: Staccato strings and legato woodwinds for contrast.]
Advice:
Use "staccato" for punchy, rhythmic compositions.
Use "legato" for smooth and flowing melodies.
Combine articulations to create dynamic contrasts.
[attack]
Meaning: Defines how quickly a note reaches its full volume after being played.
Placement: Typically placed within [dynamics], [instruments], or [mixing].
Accepted Parameters:
sharp — A quick, percussive attack (good for plucked strings, electronic leads).
soft — A gentle, gradual attack (suitable for pads, ambient textures).
gradual — Slow attack leading to full volume (useful for swells and cinematic soundscapes).
percussive — Extremely sharp attack for rhythmic impact.
Sample Usage:
[attack: Soft attack on synth pads for smooth transitions.]
Advice:
Use sharp attack for rhythmic punch (percussion, electric bass).
Use gradual attack for build-ups and orchestral swells.
Combine with [sustain] to shape the envelope of a sound.
[background-vocals]
Meaning: Specifies harmonized or complementary vocals that support the lead vocal.
Placement: Typically used within [vocals], [harmony], or [structure].
Accepted Parameters:
harmonic — Background vocals provide harmonic support.
call-response — Background vocals interact with the lead.
layered — Multiple vocal tracks stacked for richness.
ethereal — Distant, reverb-heavy vocals for ambiance.
chant — Repeated, rhythmic background phrases.
Sample Usage:
[background-vocals: Layered harmonies in the chorus for depth.]
Genre-Based Usage:
Pop & R&B: Rich harmonic background vocals enhance melodies.
Gospel & Soul: Call-and-response vocals create intensity.
Electronic & Dream Pop: Ethereal vocals blend into atmospheric textures.
Rock & Metal: Chanted or shouted background vocals add energy.
Track Structure Recommendation
[intro: Sparse, whispered background vocals]
[verse: Subtle harmonies supporting the melody]
[chorus: Layered, full background harmonies]
[bridge: Call-and-response vocals adding drama]
[outro: Ethereal fade-out with reverb on background vocals]
[bass]
Meaning: Defines the bassline characteristics, its prominence, and style.
Placement: Typically placed within [instruments], [mixing], or [rhythm].
Accepted Parameters:
deep — Low, rumbling bass frequencies.
sub-bass — Focus on low-end frequencies under 60Hz.
pulsing — Repetitive bass rhythm, often in electronic music.
saturated — Heavy, distorted bass (common in phonk, industrial, metal).
modulated — Bass with frequency or amplitude variations.
syncopated — Offbeat or groove-heavy bass patterns.
Sample Usage:
[bass: Deep, pulsating sub-bass driving the rhythm.]
Advice:
Deep/sub-bass works best for electronic, trap, and cinematic music.
Syncopated bass is ideal for funk, jazz, and reggae.
Use saturation or distortion to create a gritty, aggressive tone.
[bass-slide]
Meaning: Specifies a sliding bass note, often used for groove or tension.
Placement: Typically used within [bass], [rhythm], or [effects].
Accepted Parameters:
upward — Slide from a lower pitch to a higher note.
downward — Slide from a higher pitch to a lower note.
glissando — A smooth, continuous slide.
percussive — Short, quick slides for rhythmic emphasis.
synth — A bass slide effect generated on a synthesizer.
Sample Usage:
[bass-slide: Downward glissando before the chorus drop.]
Genre-Based Usage:
Funk & Jazz: Upward bass slides add groove.
Hip-Hop & Trap: 808 sub-bass slides create deep movement.
Rock & Metal: Aggressive bass slides introduce breakdowns.
Electronic & House: Synth bass slides add energy to drops.
Track Structure Recommendation
[intro: Deep, slow bass slide into the groove]
[verse: Subtle slides in the bassline for fluidity]
[chorus: Upward bass-slide leading into the drop]
[bridge: Dramatic downward slide transitioning to tension]
[outro: Fading bass-slide resolving into silence]
[beat-switch]
Meaning: Indicates a sudden or gradual change in rhythm, often altering tempo, groove, or drum patterns.
Placement: Typically used within [rhythm], [structure], or [break].
Accepted Parameters:
sudden — A sharp, unexpected change in beat.
gradual — A slow transition from one beat to another.
double-time — The beat shifts to twice the original speed.
half-time — The beat slows to half speed.
syncopated — The rhythm becomes more unpredictable.
Sample Usage:
[beat-switch: Sudden double-time transition into the drop.]
Genre-Based Usage:
Hip-Hop & Phonk: Beat-switches create contrast between sections.
Trap & EDM: Half-time switches slow the groove for tension.
Jazz & Funk: Syncopated beat-switches add complexity.
Rock & Metal: Double-time sections increase intensity.
Track Structure Recommendation
[intro: Slow, steady beat]
[verse: Syncopated groove with tension]
[chorus: Sudden beat-switch to double-time]
[bridge: Half-time breakdown for contrast]
[outro: Gradual fade into the original groove]
[big finish]
Meaning: Defines a grand, climactic ending, often with increased volume, instrumentation, or dramatic buildup.
Placement: Typically used within [structure], [dynamics], or [orchestration].
Accepted Parameters:
orchestral — Full symphonic ending.
rock — Extended guitar and drum finale.
electronic — Massive synth drop or explosion.
fade-out — Grand but gradually diminishing.
percussive — Intense drum fills leading to the end.
Sample Usage:
[big finish: Orchestral swells and cymbal crashes building to a dramatic ending.]
Genre-Based Usage:
Cinematic & Classical: Orchestral swells for epic finales.
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