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Jazz & Swing: Bouncy plucks in basslines and violin accents.
Cinematic & Horror: Dark, eerie pizzicato used for suspense.
Electronic & Pop: Pizzicato-like synth plucks for texture.
Track Structure Recommendation
[pizzicato: Light, playful plucks introducing the theme]
[verse: Delicate pizzicato string backing under lead melody]
[chorus: Expanding harmonies with layered pizzicato texture]
[bridge: Deep, dramatic low-string plucks]
[outro: Soft pizzicato fading into silence]
[power-off drop]
Meaning: Defines a dramatic, abrupt silence effect, simulating an electronic system suddenly turning off.
Placement: Typically used within [structure], [drop], or [effects].
Accepted Parameters:
sudden — Instant drop with no reverb tail.
glitchy — Stuttering before the cut-off.
resonant — A slight echo before silence.
percussive — Accompanied by a bass thump or impact.
Sample Usage:
[power-off drop: Sudden, glitchy silence after the beat build-up.]
Genre-Based Usage:
Electronic & EDM: Used for suspense before beat drops.
Hip-Hop & Trap: Tactical silence before 808 kicks return.
Industrial & Experimental: Creates eerie interruptions in rhythm.
Cinematic & Sci-Fi: Futuristic breakdowns with simulated glitches.
Track Structure Recommendation
[intro: Rising synth arpeggios building tension]
[verse: Heavy bass and beat-driven groove]
[power-off drop: Abrupt silence before the chorus]
[chorus: Full re-entry with dramatic percussion]
[outro: Distant echoes fading into silence]
[prelude]
Meaning: Specifies an introductory musical passage, often setting the mood for the entire composition.
Placement: Typically used before [structure], [intro], or [theme].
Accepted Parameters:
solo — A single instrument introduction.
orchestral — Full symphonic opening.
ambient — Atmospheric, pad-driven textures.
rhythmic — Percussion-driven thematic intro.
Sample Usage:
[prelude: Orchestral string overture with a cinematic buildup.]
Genre-Based Usage:
Classical & Romantic: Grand, symphonic preludes before themes.
Electronic & Synthwave: Slow ambient buildups into beats.
Cinematic & Epic: Huge orchestral introductions before action.
Jazz & Blues: Piano-based preludes before main motifs.
Track Structure Recommendation
[prelude: Solo piano opening with emotional phrasing]
[theme: Full string orchestra carrying the melody]
[development: Expansion into a cinematic arrangement]
[outro: Soft fade-out with distant echoes]
[pronunciation]
Meaning: Specifies how words should be enunciated in the vocal performance, which can be useful for ensuring clarity or stylization.
Placement: Typically placed within [vocals] or [language] to ensure it is applied correctly.
Accepted Parameters:
clear — Words are pronounced distinctly.
soft — Slightly subdued, gentle enunciation.
accented — Adds a specific accent (e.g., French, British, Southern).
slurred — Lazy or smooth pronunciation.
robotic — AI-style, flat vocal articulation.
Sample Usage:
[pronunciation: Clear and crisp, ensuring every word is understood.]
Genre-Based Usage:
Pop & R&B: "Soft" for emotional delivery.
Hip-Hop & Trap: "Accented" for stylized flow.
Jazz & Blues: "Slurred" for relaxed phrasing.
Electronic & Experimental: "Robotic" for synthetic vocals.
Track Structure Recommendation
[pronunciation: Clear, with a slightly accented delivery]
[verse: Precise articulation with moderate pacing]
[chorus: Expressive, slightly exaggerated vowels]
[bridge: Whispered delivery, intimate phrasing]
[outro: Words fading into a breathy whisper]
[pulse]
Meaning: Defines the rhythmic foundation or heartbeat of the track.
Placement: Typically used within [rhythm], [tempo], or [structure] to guide the groove.
Accepted Parameters:
steady — A constant, unchanging pulse.
driving — Strong, forceful rhythmic push.
syncopated — Off-beat or complex rhythmic emphasis.
irregular — Changing tempo patterns.
subtle — Light, minimal rhythmic presence.
Sample Usage:
[pulse: Driving and syncopated, creating a hypnotic groove.]
Genre-Based Usage:
House & Techno: "Steady" for dance beats.
Jazz & Funk: "Syncopated" for groove.
Progressive Rock & Metal: "Irregular" for time changes.
Orchestral & Cinematic: "Subtle" for gradual builds.
Track Structure Recommendation
[pulse: Steady with slight acceleration in the chorus]
[verse: Rhythmic guitar pattern anchoring the beat]
[chorus: Full percussion section emphasizing pulse]
[bridge: Pulse breaks down into irregular phrasing]
[outro: Slow rhythmic fade into silence]
[quiet arrangement]
Meaning: Defines a section with minimal instrumentation and reduced dynamics, emphasizing sparseness or intimacy.
Placement: Within [arrangement] or [structure].
Accepted Parameters:
ambient — airy pads, little motion.
acoustic — stripped to guitar/piano only.
intimate — focus on voice with minimal backing.
fade-down — arrangement reduces gradually.
Sample Usage:
[quiet arrangement: Sparse piano and soft strings, no percussion]
Genre-Based Usage:
Pop/Ballad: Stripped sections before chorus return.
Jazz/Soul: Soft interlude with light comping.
Ambient/Drone: Entire piece may be a quiet arrangement.
Track Structure Recommendation:
[intro: quiet arrangement with piano only]
[verse: soft vocals over sparse texture]
[chorus: full arrangement returns]
[rapped verse]
Meaning: Specifies a rap-delivered verse, rhythmically spoken instead of sung.
Placement: Within [vocals] or [structure] for verses.
Accepted Parameters:
fast-flow — quick delivery.
slow-flow — laid-back cadence.
aggressive — intense, sharp delivery.
melodic — rap with pitched inflection.
Sample Usage:
[rapped verse: Rhythm-heavy delivery with minimal backing]
Genre-Based Usage:
Hip-Hop/Trap: Primary rap verses.
Pop/R&B Fusion: Rap interludes between sung sections.
Experimental/Alt: Spoken-word hybrid rap flows.
Track Structure Recommendation:
[intro: instrumental]
[rapped verse: first verse with rhythmic delivery]
[chorus: sung refrain]
[recapitulation]
Meaning: Refers to the return of the main theme, often after a development section, commonly used in classical and cinematic compositions.
Placement: Typically used within [structure] or [theme].
Accepted Parameters:
exact — Identical to the original theme.
varied — Altered slightly with new harmonies.
orchestral — Expanded for a larger arrangement.
minimal — Stripped-down return of the theme.
Sample Usage:
[recapitulation: Orchestral reprise of the opening theme with added brass.]
Genre-Based Usage:
Classical & Symphonic: "Exact" for structured returns.
Jazz & Improvisation: "Varied" for theme reinventions.
Rock & Progressive: "Orchestral" for dramatic finales.
Electronic & Ambient: "Minimal" for subtle motif callbacks.
Track Structure Recommendation
[intro: Gentle string introduction with a main theme]
[verse: Variation of the theme with light piano support]
[bridge: Expansion into different harmonic territory]
[recapitulation: Full orchestral return of the main melody]
[outro: Quiet resolution with a softened reprise]
[register]
Meaning: Specifies the pitch range where a melody or harmony is played.
Placement: Typically used within [harmony] or [orchestration].
Accepted Parameters:
low — Deep bass registers.
mid — Middle range instruments or vocals.
high — Treble instruments or falsetto vocals.
extended — Unusually high or low registers for an instrument.
shifted — The melody is transposed up or down an octave.
Sample Usage:
[register: High violin melodies soaring over low brass.]
Genre-Based Usage:
Opera & Classical: Sopranos sing in high register, basses in low register.
Electronic & Ambient: Pads or drones in the low register add warmth.
Rock & Pop: Shifting vocal registers enhances emotional contrast in choruses.
Jazz & Blues: Saxophones explore extended registers for expressive solos.
[resolution]
Meaning: Defines how musical tension is released, often through chord progressions or phrase endings.
Placement: Typically used within [harmony], [structure], or [cadence].
Accepted Parameters:
strong — A definitive resolution (e.g., V-I in classical music).
weak — A soft or unresolved cadence (e.g., IV-I in gospel music).
delayed — The resolution is postponed for suspense.
suspended — The resolution is avoided, keeping tension.
chromatic — The resolution involves non-diatonic steps.
Sample Usage:
[resolution: Delayed V-I movement to build anticipation.]
Genre-Based Usage:
Classical: Strong resolutions create a satisfying harmonic closure.
Jazz: Weak or chromatic resolutions add complexity and unpredictability.
Electronic & Ambient: Delayed or suspended resolutions create an open, floating sound.
Rock & Blues: Using blues-style resolutions (e.g., V-IV-I) keeps a song feeling raw.
[retrograde]
Meaning: Indicates a melody, motif, or harmony played in reverse.
Placement: Typically used within [theme], [variation], or [counterpoint].
Accepted Parameters:
melodic — The notes of the melody are played in reverse order.
harmonic — Chord progressions move backward.
inverted — Both retrograde and inversion (flipping the melody upside down).
canon — Retrograde used in a fugue-like counterpoint.
mirrored — The rhythm is also reversed.
Sample Usage:
[retrograde: Melodic retrograde variation for an avant-garde effect.]
Genre-Based Usage:
Classical & Baroque: Used in fugues and canons (e.g., Bach’s musical riddles).
Jazz & Avant-Garde: Reversing licks or motifs adds unexpected complexity.
Electronic & Experimental: Retrograde sequences create glitchy, surreal effects.
Horror & Sci-Fi Soundtracks: Retrograde harmonies can sound eerie and unnatural.
[reverb]
Meaning: Specifies the level and type of reverberation, controlling depth and space in the track’s mix.
Placement: Typically used within [effects], [mixing], or [vocals].
Accepted Parameters:
dry — Minimal or no reverb.
hall — Large, expansive reverb.
plate — Vintage, metallic reverb sound.
cathedral — Extremely large, church-like reflections.
echoed — Delayed, bouncing reflections.
Sample Usage:
[reverb: Soft hall reverb on vocals with a deep echo on the outro.]
Genre-Based Usage:
Ambient & Soundscape: "Cathedral" for massive, immersive spaces.
Rock & Shoegaze: "Hall" for atmospheric guitars.
Jazz & Classical: "Plate" for warm, natural tone.
Electronic & Pop: "Echoed" for dreamy vocal effects.
Track Structure Recommendation
[intro: Soft piano with plate reverb]
[verse: Vocals with subtle hall reverb]
[chorus: Expansive reverb creating a wide stereo field]
[bridge: Delay-heavy echo effect on vocals]
[outro: Deep, long reverb tail fading into silence]
[reverberate]
Meaning: Specifies a strong and continuous reverb effect, creating an echoing, immersive atmosphere.
Placement: Typically used within [effects], [mixing], or [vocals].
Accepted Parameters:
soft — Gentle, subtle reverb.
deep — Pronounced, long-decay reverberation.
distant — Creates a feeling of space and separation.
metallic — Sharp, bright reflections.
drenched — Heavy, all-encompassing reverb effect.
Sample Usage:
[reverberate: Deep, atmospheric echo on lead vocals.]
Genre-Based Usage:
Ambient & Shoegaze: "Drenched" for massive, swirling textures.
Cinematic & Soundscape: "Distant" for haunting atmospheres.
Rock & Blues: "Soft" for classic studio-style reverb.
Industrial & Experimental: "Metallic" for sharp, robotic echoes.
Track Structure Recommendation
[intro: Distant reverberating piano fading in]
[verse: Vocals with soft reverberation on the tail]
[chorus: Expansive reverberate effect on backing vocals]
[outro: Deep, slow echo fade-out into silence]
[rhythm]
Meaning: Defines the rhythmic pattern and overall groove of the track.
Placement: Typically used within [tempo], [pulse], or [structure].
Accepted Parameters:
steady — Even, predictable rhythm.
syncopated — Off-beat accents and complexity.
driving — Strong, propulsive beat.
loose — Free, unstructured rhythm.
polyrhythmic — Layered, multiple rhythms at once.
Sample Usage:
[rhythm: Syncopated percussion with a driving bassline.]
Genre-Based Usage:
Jazz & Funk: "Syncopated" for groovy rhythms.
Rock & Metal: "Driving" for relentless energy.
Electronic & House: "Steady" for dance floor beats.
Orchestral & Classical: "Polyrhythmic" for layered, complex motion.
Track Structure Recommendation
[rhythm: Driving beat with syncopated percussion]
[verse: Light rhythmic presence with hi-hat groove]
[chorus: Full-on, steady kick and bass lock]
[outro: Rhythmic fade-out with low percussion echoes]
[rhythmic-motif]
Meaning: Specifies a recurring rhythmic pattern or idea that defines the groove of a piece.
Placement: Typically used within [rhythm], [structure], or [theme].
Accepted Parameters:
syncopated — Offbeat rhythmic patterns.
driving — Repetitive, high-energy patterns.
sparse — Minimal rhythmic elements, creating space.
polyrhythmic — Overlapping rhythms of different time signatures.
irregular — Unpredictable rhythmic phrasing.
Sample Usage:
[rhythmic-motif: Driving polyrhythms layered with syncopated hi-hats.]
Genre-Based Usage:
Classical & Minimalist: Used in Steve Reich’s works (e.g., phasing motifs).
Jazz & Funk: Syncopated motifs create a groove-heavy feel.
Electronic & House: Repeating motifs define the core pulse of the track.
Progressive Rock & Metal: Odd-time signatures make rhythm motifs feel complex and dynamic.
[ritardando]
Meaning: Indicates a gradual slowing down of tempo, commonly used in classical, cinematic, and dramatic music.
Placement: Typically placed within [tempo], [structure], or [dynamics].
Accepted Parameters:
gradual — Smooth, drawn-out slowing.
sudden — Abrupt tempo reduction.
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