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repetitive — The hook repeats multiple times for memorability.
syncopated — Rhythmically engaging hook.
anthemic — A bold, singalong-style hook.
Sample Usage:
[hook: Repetitive vocal melody layered over punchy drums.]
Genre-Based Usage:
Pop & R&B: Melodic, lyrical hooks.
Rock & Metal: Guitar riff-driven hooks.
Electronic & House: Synth-based recurring motifs.
Hip-Hop & Trap: Catchy, chant-like refrains.
Track Structure Recommendation
[intro: Soft build-up introducing hook melody]
[verse: Developing lyrics leading to the hook]
[chorus: The main hook is fully introduced]
[bridge: A breakdown section leading to the final hook repetition]
[outro: The hook fades out with a reverb tail]
[intro]
Meaning: Defines the opening section of a track, setting the mood, instrumentation, and rhythm before transitioning into structured sections.
Placement: Typically at the beginning of the track definition.
Accepted Parameters:
soft — Gentle, understated opening.
dramatic — Strong, impactful beginning.
percussive — Driven by rhythmic elements.
atmospheric — Textural, ambient soundscapes.
synth-driven — Electronic intro using pads, arpeggios.
Sample Usage:
[intro: Soft choral voices fading in with ambient pads.]
Genre-Based Usage:
Rock & Metal: Guitar intros leading into heavy riffs.
Electronic & Synthwave: Filtered synths and arpeggios.
Jazz & Fusion: Solo saxophone or piano introduction.
Cinematic & Classical: Grand orchestral swells.
Track Structure Recommendation
[intro: Low strings rumbling beneath ethereal choral voices]
[verse: Vocal melody enters with soft piano accompaniment]
[chorus: Full orchestration with percussion layers]
[bridge: Drop in intensity, shifting to solo violin]
[outro: Gentle fade-out with harp and flute]
[instruments]
Meaning: Specifies the instruments used in the composition, helping define the timbre and orchestration of the track.
Placement: Typically placed before structure tags to establish instrumentation at the beginning of the track definition.
Accepted Parameters:
Specific instruments — e.g., piano, violin, electric guitar, synthesizer, brass, flute, harp.
Ensembles — e.g., string quartet, symphonic orchestra, jazz trio.
Electronic elements — e.g., 808 bass, modular synth, vocoder, pads.
Sample Usage:
[instruments: Acoustic guitar, soft synth pads, subtle piano accompaniment.]
Genre-Based Usage:
Rock & Pop: Electric guitar, bass, drums, synths.
Classical & Cinematic: Orchestral strings, brass, harp.
Electronic & Ambient: Synth pads, drones, digital bells.
Jazz & Blues: Saxophone, upright bass, electric piano.
Track Structure Recommendation
[instruments: Piano, cello, atmospheric synths]
[intro: Solo piano melody introducing the theme]
[verse: Cello enters with deep harmonies]
[chorus: Synth pads build a cinematic atmosphere]
[outro: Instruments fade out into soft reverberation]
[inversion]
Meaning: States that a theme or motif should be inverted (played upside-down in melodic contour).
Placement: Paired with [subject] or [motif].
Accepted Parameters:
strict — precise inversion.
free — partial inversion with modification.
stretched — inversion with augmented rhythm.
Sample Usage:
[inversion: Subject theme inverted on strings]
Genre-Based Usage:
Fugue/Classical: Canonical inversion technique.
Jazz Fusion: Inverted melodic riffs.
Electronic/Experimental: Inverted synth motif loops.
Track Structure Recommendation:
[subject: original theme]
[inversion: mirror of subject]
[coda: combine both for resolution]
[lament]
Meaning: Defines a sorrowful, descending motif or expressive passage.
Placement: Within [melody], [harmony], or [vocals].
Accepted Parameters:
descending — typical lament bass line (e.g. minor descending tetrachord).
vocal — sorrowful vocal delivery.
instrumental — plaintive strings or winds.
choral — choir in lament style.
Sample Usage:
[lament: Descending strings in minor mode]
Genre-Based Usage:
Baroque/Classical: Lament bass line.
Gothic/Metal: Sorrowful motifs.
Folk/Choral: Funeral lament style.
Track Structure Recommendation:
[verse: narrative lyrics]
[lament: sorrowful instrumental descent]
[chorus: emotional climax]
[length]
Meaning: Specifies the desired duration of the track, controlling overall runtime.
Placement: Typically placed before [structure] to ensure Suno processes it before structuring the composition.
Accepted Parameters:
short — 30-60 seconds.
standard — 2-3 minutes (default).
extended — 4-5 minutes.
loopable — Designed to seamlessly loop.
epic — 5+ minutes with grand arrangements.
Sample Usage:
[length: Extended, with a cinematic build-up]
Genre-Based Usage:
Pop & Mainstream: Standard radio-friendly lengths (2-3 min).
Electronic & Dance: Extended club mixes (5+ min).
Classical & Film Score: Epic storytelling (5+ min orchestral).
Game Music & Ambient: Loopable background tracks.
Track Structure Recommendation
[length: Loopable]
[intro: Smooth ambient pad fade-in]
[verse: Subtle arpeggiated melodies drifting through]
[chorus: Slightly intensified layering for dynamic movement]
[outro: Seamless transition to start again]
[mood]
Meaning: Defines the emotional atmosphere of the track.
Placement: Typically used at the start of the track definition to guide composition style.
Accepted Parameters:
dark — Brooding, mysterious, or ominous.
uplifting — Positive, energizing.
melancholic — Sad, introspective.
mystical — Ethereal, otherworldly.
playful — Lighthearted and fun.
Sample Usage:
[mood: Dark, atmospheric tension with deep drones.]
Genre-Based Usage:
Rock & Metal: Dark and aggressive moods.
Electronic & Chill: Uplifting or melancholic textures.
Cinematic & Orchestral: Mystical and grand moods.
Jazz & Soul: Playful and laid-back vibes.
Track Structure Recommendation
[mood: Melancholic, soft and reflective]
[intro: Gentle strings and atmospheric pads]
[verse: Emotional, expressive melody on piano]
[chorus: Expansive orchestration with rising intensity]
[outro: Soft, fading resolution in minor tonality]
[pre-chorus]
Meaning: Defines the section leading from the verse into the chorus, building tension and anticipation.
Placement: Typically placed between [verse] and [chorus] in [structure].
Accepted Parameters:
rising — Gradual build-up into the chorus.
syncopated — Off-beat rhythms to create anticipation.
minimal — Stripped-down before a strong chorus impact.
harmonized — Vocally layered to enhance tension.
Sample Usage:
[pre-chorus: Rising vocal harmonies with increasing synth layers.]
Genre-Based Usage:
Pop & R&B: Melodic pre-choruses setting up catchy hooks.
Rock & Alternative: Guitar-driven pre-choruses for tension.
Hip-Hop & Trap: Minimalist, beat-only pre-choruses.
Cinematic & Epic: Orchestral swells leading into grand moments.
Track Structure Recommendation
[verse: Soft piano melody with subdued vocals]
[pre-chorus: Gradual rise in vocal intensity and instrumentation]
[chorus: Full orchestral and vocal explosion]
[outro: Smooth transition back to soft textures]
[polyphony]
Meaning: Specifies multiple independent melodic lines played or sung together.
Placement: Within [vocals], [harmony], or [texture].
Accepted Parameters:
two-part — duet or double voice.
three-part — trio harmonization.
four-part — full SATB choral style.
layered — multiple independent melodies.
Sample Usage:
[polyphony: Four-part fugue texture, organ + voices]
Genre-Based Usage:
Sacred/Choral: Traditional 4-part harmony.
Fugue/Classical: Counterpoint.
Jazz Fusion/Avant-garde: Layered melodic improvisations.
Track Structure Recommendation:
[subject: main line]
[polyphony: three-part counterpoint develops]
[big finish: layered voices in harmony]
[refrain]
Meaning: Defines a repeated phrase or musical passage, typically appearing in multiple sections of the track.
Placement: Typically placed within [structure], [chorus], or [vocals].
Accepted Parameters:
melodic — A tune repeated throughout.
lyrical — A repeated vocal phrase.
instrumental — A motif repeated by instruments.
harmonic — A chord progression appearing multiple times.
Sample Usage:
[refrain: Repeated vocal phrase that echoes at the end of each chorus.]
Genre-Based Usage:
Pop & Rock: "Melodic" refrains for earworms.
Hip-Hop & R&B: "Lyrical" refrains for hook-based tracks.
Electronic & House: "Instrumental" refrains for looping textures.
Orchestral & Jazz: "Harmonic" refrains for theme consistency.
Track Structure Recommendation
[intro: Refrain introduced as an instrumental hook]
[verse: New melody leading toward the refrain]
[chorus: Full refrain, sung with layered harmonies]
[bridge: A break before the refrain returns]
[outro: Fading refrain, gradually repeating into silence]
[scat break]
Meaning: Denotes a scatting vocal improvisation section, usually jazz-influenced.
Placement: Within [vocals] or [structure].
Accepted Parameters:
solo — single vocalist scat improvisation.
duet — multiple voices scatting in call-and-response.
layered — overlapping scat vocals for texture.
Sample Usage:
[scat break: Playful jazz-style scat improvisation, no lyrics]
Genre-Based Usage:
Jazz & Swing: Classic scat solos.
Experimental & Avant-pop: Vocal improvisation as texture.
Hip-Hop Fusion: Rhythmic scatting between verses.
Track Structure Recommendation:
[verse: lyrical section]
[scat break: vocalist improvises syllables]
[chorus: return to main hook]
[sequence]
Meaning: Specifies the order and repetition of musical sections, helping structure the track dynamically.
Placement: Typically used within [structure], ensuring that segments appear in a defined order.
Accepted Parameters:
linear — A straightforward progression of sections.
cyclical — Repeating sections in a structured manner.
reversed — Themes appear in the opposite order.
mirrored — The second half of the track reflects the first.
Sample Usage:
[sequence: Linear with a mirrored return in the final section.]
Genre-Based Usage:
Classical & Film Score: "Mirrored" for symmetrical compositions.
Dance & Electronic: "Cyclical" for repeating, looping sections.
Rock & Pop: "Linear" for conventional storytelling structures.
Progressive & Jazz: "Reversed" for unconventional arrangements.
Track Structure Recommendation
[sequence: Cyclical, alternating between verse and instrumental interludes]
[intro: Soft pad textures leading into rhythm]
[section: Thematic section introducing melody]
[section: Repeated development with slight variation]
[outro: Return of the theme in a mirrored resolution]
[style]
Meaning: Defines the musical style or aesthetic of the track, influencing genre fusion and overall production approach.
Placement: Before [genre] or [mood], specifying artistic direction.
Accepted Parameters:
minimalist — Sparse instrumentation, subtle textures.
cinematic — Large-scale, soundtrack-like arrangements.
lo-fi — Vintage, tape-saturated, and degraded sound.
high-energy — Intense, fast-paced composition.
experimental — Non-traditional elements and unpredictable shifts.
Sample Usage:
[style: Cinematic with sweeping orchestral arrangements.]
Genre-Based Usage:
Ambient & Minimalist: "Minimalist" for delicate, sparse textures.
Film Score & Symphonic: "Cinematic" for dramatic orchestrations.
Lo-Fi & Vintage Hip-Hop: "Lo-fi" for nostalgic sound.
Electronic & Industrial: "Experimental" for glitch and non-traditional structures.
Track Structure Recommendation
[style: Minimalist, focusing on space and subtle dynamics]
[intro: Soft ambient pads and distant reverberations]
[verse: Sparse instrumentation with delayed plucks]
[chorus: Slow chordal swells creating depth]
[outro: Fading echoes and cinematic strings]
[subject]
Meaning: Marks the primary musical theme or motif, especially in fugues or structured classical/jazz works.
Placement: Within [harmony], [melody], or [structure].
Accepted Parameters:
main — introduces the principal theme.
counter — secondary theme against the main subject.
stretto — overlapping entries of the subject.
Sample Usage:
[subject: Main fugue theme on organ]
Genre-Based Usage:
Classical: Core fugue subject.
Jazz: Head motif before improvisation.
Experimental/Phonk-Classical: Subject line woven into hybrid styles.
Track Structure Recommendation:
[intro: subject introduced]
[inversion: theme restated in reverse]
[bridge: new harmonic counterpoint]
[technique]
Meaning: Defines a specific compositional or instrumental method to be applied.
Placement: Within [structure], [harmony], [vocals], or [instruments].
Accepted Parameters:
fugue-expansion — subject extended in counterpoint.
reverse-entry — motif played backwards.
spectral-loop-fusion — layering spectral textures.
aria-loop-fracture — breaking operatic lines into fragments.
sustained-harmony — holding chords over shifting textures.
Sample Usage:
[technique: reverse-entry of main subject on synth]
Genre-Based Usage:
Classical & Contemporary: Canon/fugue techniques.
Electronic/Experimental: Reverse loops, granular resynthesis.
Jazz Fusion: Extended improvisational methods.
Track Structure Recommendation:
[subject: main motif]
[technique: fugue-expansion]
[inversion: mirrored entry]
[coda: resolution]
[tempo]
Meaning: Defines the speed (BPM) and pacing of the track.
Placement: Typically before [rhythm] or [mood], influencing groove and feel.
Accepted Parameters:
slow — Relaxed, chill pacing (BPM 60-90).
moderate — Balanced, mid-tempo energy (BPM 90-120).
fast — High-energy, upbeat (BPM 120-160).
variable — Tempo changes dynamically.
Sample Usage:
[tempo: Fast, high-energy BPM with driving percussion.]
Genre-Based Usage:
Ballads & Lo-Fi: "Slow" for relaxed pacing.
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